Choosing The Best Monitor I

Published: 16th February 2010
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Your choice of monitor is crucial, as you are likely to spend as much time in front of the screen as you do taking photographs. The best advice is to buy the best and biggest monitor you can afford. Poor quality screens may flicker and cause eye-strain, colour and brightness will be uneven across the image area, and they may be difficult to calibrate

For image manipulation, minimum screen size is 38-43cm, and you should ensure that the screen is capable of displaying millions of colours, which may require the installation of a suitable video card or board to help the computer run the monitor. The screen resolution should be 1,024 x 768 pixels or better: many professionals work at 1,600 x 1,200 pixels.

Flat-screen monitors
Many cathode-ray tube (CRT) monitors offer a perfectly flat screen. A slightly curved type may be much less costly but a flat screen reduces reflections from other light sources and is a mark of a high-quality monitor. Liquid-crystal display (LCD) screens are also available: these are light¬weight and slim, but expensive. Nonetheless, if you are prone to eye-strain they are worth considering as they exhibit zero flicker. For all but the most critical applications, a good-quality, modern LCD screen, displaying millions of colours, is perfectly suitable for image manipulation.


Colour management
A modern monitor should allow you to adjust the size of the image on the screen and to alter such factors as the shape and position of the image. An important control is convergence, which ensures that images do not display coloured fringes.

However, perhaps the most important controls are brightness and contrast. Once these have been optimized, you are in a position to calibrate your monitor ready for a colour-managed flow of work. Software utilities, such as those provided by your computer's operating system or by Adobe Photoshop, are available to help you in this. You may also use hardware calibrators: these are instruments that connect to the computer and are then placed on the monitor to measure its output. Adjustments are then automatically made.


Steve J. Wilson is living in the United States and is a freelance writer since 2006, in digital photography related topics. If you are interested in some useful Digital Photography Classes, than you are in the right place.


Copyright © Steve J. Wilson, All Rights Reserved. All those who are interested in using this article, please make all the links active.



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